All That Consoles, Aniconic, Aperitif, Apostate, Before Jefferson, Crisis, Cube:1-2-3, Default, Deflexion, detail, Dots, DREN, Field, Flowers, Hatchet, He Did It, Hubris, ION, Laid Out, m;m&m, Napoleon, Nomads, Orifice, Orifice 2, Over The Sink, Pentagon, Pivotal, PLA-3, Quatra, Rooves, Rule Of Law, Scribbler, Secular, Sex, Skirls:1-2-3-4, Sleep, Smart Artist, Spirit Hovel, Squiggles:3-II-I, Text, Thud and Blunder, Tracks:1-2, Triumph, Via Dolorosa, Writing, Writing 4. 54 works on yellow.
I have been working on yellow for a decade, longer perhaps in producing several hundred drawings on yellow paper, of which for a reason now forgotten, I had an abundance.
I drew, discarded many, but the pile grew and it was with a twinge of panic in 2010 that I saw my cache of yellow paper had dwindled to single figures. This size-this Yellow became too precious to use - I have to keep my remaining few yellow sheets safe for that super-special drawing that will never come - and no good can come from that thinking. I have to find another colour, I had to run out on yellow to finish.
Works on Yellow are representative of the series as a whole - these 54 may be the cream but I don't judge that with any certainty.
In Works On Yellow I see the germ and kernels of paintings and prints, projects, stories, love affairs and loss, my attempts and speculation, campaigns; and idlings on once current affairs. I see obsessions that no longer obsess me, interests I don't remember having - and haunting, prompting me now, issues that have led nowhere to date.
I love that section below....
ReplyDelete"I see obsessions that no longer obsess me, interests I don't remember having - and haunting, prompting me now, issues that have led nowhere to date."
This is a great idea..I wish you the best with this.
Louise Gains
Louise, you had me scratching my over-sensitive head for there IS nothing much below that final sentence ... 'is that the section what Louise "love"s I wondered?'
ReplyDeleteBut, I've got a grip of my nerves and thank you for looking Works On Yellow over.
Having done the works, now is when the real work starts.
Kind regards, I watch your progress with interest.
You forgot to say: click to make big.
ReplyDeleteAnd you forgot to tell me to click on the individual squares... but I worked it out anyway.
I'm fascinated by the Typography one...
Sx
I should have said that I'm fascinated by all the writing ones...
ReplyDeleteSx
Miss Scarlet: I wondered about putting online-navigation instructions but couldn't manage an elegant solution on the screen. The elegance vs clarity conundrum.
ReplyDelete'click to make big' - ? - I like that you'd want it.
A drawing is as big as it is, you can take a magnifying glass to them and museums often provide magnifying glasses. In the interim virtual environment I wanted to establish at least one base of scale, i.e. this is so x so big on the screen and this is how I think the work is best seen.
There is a danger with art online, that the tweaked digital file mis-represents the original; the counter-argument going, that if the work is only ever seen online, why worry.
DangIt S, I do etchings, I can arrange private viewings, anything you want to see bigger, can do.
Off now to beat about the tumbleweed dust roaming free in the studio.
Kx
I can arrange private viewings, anything you want to see bigger, can do.
ReplyDeleteIn my youth, I recall a feisty art lecturer saying something similar.
Sx
...Btw, you can tell that this is a sophisticated blog by the length of the word verification code: it's always eight letters or more.
ReplyDeletei.e: intingur
Naughty feisty art lecturer . . . Did it work?
ReplyDelete(That was the second class at art school.)
re btw ... thx I don't deserve such sophisticated word verification, I'm going to set about disabling that - one day when I'm in the mood to tackle blogspot's fierce settings.
Kx