FROM THE DANCING SEA

target="_blank" Singulart

ON the 16 May, 2024, https://www.singulart.com/en/artist
/kevin-jackson-3525" target="_blank" won't work anymore.

This logo used to be here ➜ pointing at the right-hand panel . . . .

I sell or have sold work from this platform, but not enough and Singulart have off-loaded me.  Too late to see my work there!

I know well, 'not enough'.  Galleries who’s very job it is to sell having nothing else to do but sell, never seem to sell enough. 
In considering that galleries don't have to buy what they offer for sale, they have to shift at least some of it to cover their costs in the virtual and on the high-street.  Singulart claim to have topped the US$100Million sales mark in the last 12 months.  Not enough, for making money costs money.  Search Engine Optimization has become Singulart’s marketing route 1.  A burgeoning team of SEOs, Search Engine Optimisers, toil for them divining Google Analytics. 

Art pours in through galleries' portals and this is a costly logistical and administrative problem for them.  Obviously, everything, including SEOs, has to be paid for somehow for only a rare few have an ‘eye’ to sell art.  If Singulart's massy inventory of virtual art does not sell enough, why-ever not defray some of their costs by charging fees to the artist?
A good idea, for 'Guess what?'  Artists will pay!
I might pay if the sales Singulart generated for me justified the per month price. 
They don't. 

A commercial art gallery is only as successful as its sales figures.  An artist is no better in the commercial world . . .  only as good as their selling record, and no more. 
All a gallery has to do is flog art. 
In the mildest of pointless pique, I pre-empted my off-loading by off-loading myself.  Singulart_blank, I'll flog mine elsewhere.

printed at Selected Artworks, Milan

The Corner Man.

I am the ‘corner’ man for AS Velasca, the football club founded to play, and as a Fine Art performance, by artist Wolfgang Natlacen.

Clamber to the roof of the Duomo in Milan and scan the cityscape, the surrounding plains of Lombardia and the distant backdrop of mountains.  Famed dome and basilica still peek amidst the new and not so new, and close by is the concrete brutalist 1950s masterpiece, Torre Velasca.  So ugly, it is breathtaking in its odd beauty, or perhaps it is the other way around, so beautiful that the ugliness takes one’s breath away.  

The Torre Velasca gives the club its name, even style and ethos, and features on the team badge.  Torre Velasca didn’t have a football team, but since 2015, it has as one of many minor football teams in a city of significance and significant in football terms.  AS Velasca works up-table campaigns out on the pitch, while a parallel squad of artists in amateur, work the kit designs, the publicity, the Bulletin, the accoutrements and team gimmicks, the tickets, and the very profile of the football club.  
In tongue in cheek promotions, AS Velasca proclaims itself to be the second team in Milan, la seconda squadra di Milano.  It is a deliberately, provocatively absurd claim, but watch out Internazionale, look out Milan, you’d better get the San Siro rebuilt and up-to-post-covid-purpose, for think on regazze, one day it could be.

Art and sport alike are about promotion.  AS Velasca has kit contracts and art sponsors.
Some of the artists are definitely football folk and fans, some ambivalent.  I do cricket more.  AC Milan, was founded by British expatriates in the C19 as a Football and Cricket Club, (I’d love it if Italy were an international cricket force. That would be so cool!), and that did it for me.  Asked to join the squad, I was in.
On any team, you’re only as good as your latest performance.  Nimbler, hungry, able bodies are always challenging for your position in the line-up.  For now, I hold the corner flags spot.

 

Smitten by the pandemic, the lower leagues are suspended.  Matches scratched, game results X - X.  Team Sweatshirts that may never be worn become artworks on clothes hangers.  It is truly a Milan thing where just about everything has to work well on a fashion design clothes hanger.  
This season’s corner flags might never flap in earnest.  Mere artworks only.
But I’m the corner man and Table Soccer has kept us lockdown busy.  The players have painted the figurines, one apiece, and the artists have the table to adorn.  It’s a work in progress, and we know there is a flaw in the project as Table Soccer is too intimate to play just now.  
Here are the painted players, and below in poignant still deconstructed view, my table soccer corners.

Our playing field goes beyond the limits. A.S. Velasca is a 360° project where the artists will invent us, describe us.

artists
75070 / ALESSANDRO BELUSSI / CAZAENTRE & NNOIR / ANDREA CERNOTTO / ANNALISA CUZZOCREA / PRIMAVERA DE FILIPPI / STEPHEN DEAN / KEVIN JACKSON / JAY ONE / ANDREA MAZZACAVALLO / WOLFGANG NATLACEN / PATRIZIA NOVELLO / ZHUO QI / NADA PIVETTA / ERIC POUGEAU / DAVID SHRIGLEY / THOMAS SIGNOLLET / PATRICIA WALLER / THOMAS WATTEBLED
sponsor artists
KENDELL GEERS / FRANCESCA BELGIOJOSO / PASCALE MARTHINE TAYOU / JIANG LI / ZEVS / RÉGIS SÉNÈQUE

A project by Marco De Girolamo, Karim Khideur, Loris Mandelli, Wolfgang Natlacen and Clément Tournus.

New Garlic

 

CENTRE LINE

Mons-En-Montois

Barrow Crossing

Picture Postcards

Picture Postcards from my Personal Porn Blog

C O U N T E R P O I N T

COUNTERPOINT started as an entirely notional pitch of a project that to my surprise and sudden consternation was selected for inclusion in 'ero-tic II', Bologna, in February 2019.  The paintings I had made for the exhibition were rejected which was a pity considering that they did exist, whilst the then still notional 'Picture Postcards from my Personal Porn Blog' didn’t, and which I had one week plus a day or two, to make from nothing and scratch before the shipping deadline.
At the exhibition, I was asked repeatedly, "Do you have a pornblog?"
I didn’t, but whether 'yes / no', to that question was not quite the point, or so I had thought.  Now though, with this post, perhaps I do have a blog with porn.

ero-tic II had this curious brief :

ERO-TIC is an artistic research on the erotic imaginary that orbits, ticking, between the two extreme poles of eroticism: “erotomania-TIC” and “erotogenic-TAC".
From "fucking automatisms" to a complex Pindaric flight that tends towards the harmonious embrace between physiological thrusts and sensual satisfaction.
An intricate aesthetic path led by the moods of artists Daniela Novello, Patrizia Novello, RUFOISM (Marco Perroni) and Nicola Villa.

I didn't understand the brief then, and haven't made much progress understanding since, but it was wondrous to be invited and to be exhibiting in Bologna during the Arte Fiera.
Of the four core artists, only RUFOISM featured overtly sexual imagery.
He, myself and two of the other guest artists skirted about the sleeze.